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Films about Queer History

 

Michelle Cliff  (1940 - )

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Texts:  Michelle Cliff
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No Telephone to Heaven

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AbengAbeng by Michelle Cliff

...a striking and powerful book.

Abeng is a coming-of-age story about a bi-racial adolescent girl in Jamaica who must face questions of race, class, sexuality, dominant ideology and identity. The book is also a stirring exploration of the fragility of friendship; it depicts trust, betrayal, and redemption. It is also a geography of the complexity and nuance of family. There are very few books that can handle such complex subject matter with the honesty and lyricism found here. I read this book several years ago and it has stayed with me. I should point out that it is at times disturbing, but also funny, moving, and thought-provoking. Sometimes I return to the last passages since they so beautifully convey the poignancy of childhood. Ultimately the book traces the early formation of the protagonist's revolutionary consciousness.

The plot meanders somewhat and skirts ideological analysis. However, in the end all the strands dovetail beautifully. The language, imagery, and symbolism are rich. Abeng shows us how our hearts and minds are born of the world around us, but also that we can change that world by discovering new worlds inside of us. -- Julie Bolt

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The Store of a Million Items : StoriesThe Store of a Million Items : Stories by Michelle Cliff

In The Store of a Million Items, Jamaican-American writer Michelle Cliff writes about a childhood spent on two islands--Jamaica and Manhattan. Cliff examines the gaps between cultures, genders, and generations in each of these 11 succinct, lyrical tales. These stories contrast the abundance and racism of America during the 1950s and 1960s with life in Jamaica during the same period. In the title story, the narrator describes how the arrival of new products at the Store of a Million Items marked the changes of seasons for children in her New York neighborhood. Instead of spring, summer, winter, and fall, they had yo-yo season, water-gun season, and flexible-flyer season. In that story and in "Down the Shore," the author adeptly describes the secret worlds children inhabit. In "Contagious Melancholia" and "Stan's Speed Shop," Cliff examines people who are just plain different. "Stan's Speed Shop" is about an encounter between a crazy but harmless rich white man and a young black girl, who reflects that her family is packed with odd characters whose eccentricities are a product of their difficult lives: "We originated in the place where the sun never set and the blood never dried. Fragility was almost a point of honor, evidence of our delicacy against cruelty. Whatever happened, we weren't to blame, nor were we to make any change." Michelle Cliff's stories are not packed with action and plot, but they are full of fascinating, disappointed people and are told from a perspective that is both insightful and political. --Jill Marquis

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Michelle Cliff 

From Emory University

Excerpt:

Michelle Cliff was born in Jamaica and grew up there and in the United States. She was educated in New York City and at the Warburg Institute at the University of London, where she completed a Ph.D. on the Italian Renaissance. She is the author of novels (Abeng, No Telephone To Heaven, and Free Enterprise), short stories (Bodies of Water), 'prose poetry' (The Land of Look Behind and Claiming and Identity They Taught Me to Despise), as well as numerous works of criticism. Her essays have appeared frequently in publications such as Ms. and The Village Voice. She is also the editor of a collection of the writings of the southern American social reformer Lillian Smith entitled The Winner Names the Age. Cliff now lives in Santa Cruz, California...

  

Michelle Cliff

Page by Pin-chia Feng, National Chiao Tung University

Excerpt:

Cliff on her writing career: "In my family it was really considered almost taboo to be a writer. It was too revelatory. There were too many secrets to be kept, especially as a girl or female." (61)--At 13, her diary had been read out loud in front of her family. Cliff did not start writing again until she was around 30. "Most of my work has to do with revising: revising the written record, what passes as the official version of history, and inserting those lives that have been left out..."

  

A Pedagogy of Postcolonial Literature

By Lindsay Pentolfe Aegerter 

Aegerter is assistant professor of postcolonial and multicultural literature at the University of North Carolina at Wilmington. She has published works on Zimbabwean writer Tsitsi Dangarembga and    Jamaican writer Michelle Cliff.

Excerpt:

The students soon discover that, as Michelle Cliff says, the  question of identity is a complicated business. They begin to understand what for Cliff, Pratt, Rich, and Suleri might be described as "the paradox of privilege,"(1) the virtual simultaneity of privilege and powerlessness for those who occupy the center and the margin because of their subjective pluralities. Pratt and Rich, for instance, are privileged in almost all ways, except for their lesbian identities. Adrienne Rich's fraught and ambivalent inquiry into her Jewish identity also calls the constancy of privilege into powerful question. Michelle Cliff is privileged as a light-skinned Jamaican in many contexts; she is oppressed for being dark-skinned and a lesbian in others. Sara Suleri must negotiate the mazes of female Pakistani identity as she moves between the margins of the so-called "third world" and the center of her professional privilege....

 

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